
Kohl Gallery
Current Exhibition

The Rose Garden Green Room
by John Jarboe
October 23 - December 4, 2025
The Rose Garden Green Room, made in collaboration with performance and visual artist John Jarboe and Washington College students, is all at once an art piece, an illuminating immersion into Jarboe’s gender journey, and a gathering space for all. Visitors are invited to take and exchange from the exhibit’s closet full of clothes, to sit down and write a letter to their gender, to read and enjoy a book exploring queer identity and expression from the room’s library nook, and to delight in the space’s sculpture and audiovisual elements. Additionally, a table full of rose-inspired treats will be provided by the Kohl Gallery.
Maintaining an aura of familiarity, evoking hints of nostalgia and warmth, this accessible and warm space both nourishes those in it and challenges them to deepen their understanding of gender. Pamphlets for educational purposes and resources will be accessible. A series of free public programs has also been organized to complement The Rose Garden Green Room.

Image credit: John Jarboe, Dear Mom, video still by Christopher Ash
John Jarboe (she/her) is a director, producer, writer, performer, visual artist, and the founding artistic director of The Bearded Ladies Cabaret. After receiving a BA and a BFA in English and Theater from the University of Michigan, Jarboe moved to Philadelphia, where in the past 15 years she has created and performed work for organizations including The Wilma Theater, The Philadelphia Museum of Art, The Barnes Foundation, Philadelphia Horticultural Society, FringeArts, and Opera Philadelphia. She and her company The Bearded Ladies gained notoriety for their annual Bastille Day show at Eastern State Penitentiary, which grew under her writing and directing from a street festival to an hour-long performance attended by over 10,000 people by 2018. Jarboe has received a 2013 Independence Fellowship, was named best drag performer in Philadelphia (2018) by Philadelphia Magazine and is a 2022 Transformation Grant awardee (The Leeway Foundation ). Outside of Philadelphia she has toured original work to Miami, Seattle (Seattle Symphony) France, Poland, New Zealand (Performance Arcade), and Australia (Malthouse Theater). She has also written, performed, and directed original work for La Mama ETC, Joe’s Pub, Lincoln Center's American Songbook Series, and The Guggenheim's Works & Process series. She has written for and directed original cabarets for famed opera star Anthony Roth Costanzo and is the drag doula of Stephanie Blythe. Jarboe's original performance piece Rose: You Are Who You Eat, commissioned by Works and Process, had a rolling world premiere at FringeArts in fall 2023, La MaMa January 2024, and Woolly Mammoth in June 2024. She was also a resident artist at The Fabric Workshop and Museum and debuted her first installation of films and objects called The Rose Garden in May of 2024. See her upcoming work at www.beardedladiescabaret.com and @johnjarbeaux on instagram.
This unique exhibition, accompanying theater performance, and public programming was created through collaboration among the Kohl Gallery, The Rose O’Neill Literary House, The Starr Center for the Study of the American Experience, and the Washington College Department of Theater and Dance. The Rose Garden Green Room exhibition and public program has been made possible by The Maryland State Arts Council, The Hedgelawn Foundation, The Kent Cultural Alliance, and The William James Fund.
The Rose Garden Green Room was originally conceived and created by John Jarboe in collaboration with The Fabric Workshop and Museum, Philadelphia, and then exhibited in Washington, D.C. by Cultural D.C.
Also on Display at Kohl Gallery

Remembering the Names of Slaves
By Darlene R. Taylor
May 28 through December 1, 2025
Kohl Gallery is excited to present Darlene R. Taylor’s monumental collage, “Remembering
the Names of Slaves” in our Gibson Center for the Arts Atrium immediately outside
Kohl Gallery. Arranged with vintage linens, lace, cottons, and buttons, this large-scale
work from Taylor’s Heirlooms Series honors the memories of Black women and girls.
Speaking about this work, Taylor an artist and who spends much of her time on the
Eastern Shore has said, “Heirlooms is a conversation between generations inspired
by historical landscapes and imagined personal narratives of people we know little
about. When I discover archival images of unnamed women, I want to touch behind the
gazes that greet me to know the whispers, witness, and memories they hold.”
“Remembering the Names of Slaves” is on view in the Gibson Center for the Arts Atrium
from May 28 - December 1, 2025. Entrance to the atrium is free and the hours are...
This work is on view courtesy of the Amy Haines and Richard Marks Collection and
has been arranged to coincide with the exhibition Kin: Rooted in Hope, which also
features artwork by Darlene R. Taylor at the Academy Art Museum in Easton, Maryland
from May 1 - June 29, 2025.
Darlene R. Taylor is based in Washington, DC, and the Maryland Eastern Shore of the
Chesapeake Bay. Taylor has received numerous fellowships from a range of institutions
including the American Antiquarian Society, The DC Commission on Arts and Humanities,
The Kentucky Women Writers Conference, and the Community of Writers in High Sierra
Mountains, California. Taylor’s work is included in the Academy Art Museum, the Columbus
Museum of Art, and private and corporate collections.



